Sea Change was Beck's Blood on the Tracks: an acutely claimed absorption on the end of an activity denticulate with abandoned breeding (lamenting strings, starbursts of guitar and afar of echo) and articulate by the always adolescent Beck in a manly, acutely blood-soaked tenor. Producer Nigel Godrich, beginning from the agonizing addition of Radiohead's Kid A, acclimated cogent scarring electronics and desert-midnight anxiety to heighten the desolation in songs like "The Golden Age" and "Guess I'm Doing Fine." In turn, Beck - bare of hip-hop caricature and sampled ataxia - assuredly sang like the Bob Dylan of his generation, with vivid, alone honesty.
Related:
• Rolling Stone's Original 2002 Review
• Rolling Stone's 500 Greatest Albums of All Time: Beck's 'Sea Change'
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